本剧是对2016年动画短片《拾荒者》概念的拓展。 在一艘星际货运飞船受损后，船员发现他们被困在了一个美丽但让人难以应付的陌生星球上。在这里，他们必须存活得足够久，才有机会逃离或获救。当幸存者们努力寻找被击落的船只和失踪的船员时，他们的新家展现出一个充满敌意的世界，这个世界可以在没有人类干扰的情况下蓬勃发展。
ripTank is an American animated television series which premiered April 2, 2014 on Comedy Central。 The show is made up of various sketches, portrayed by multiple animation styles and writers. Although no direct correlation exists between the different stories, a continued theme of dark satire prevails throughout.
The Rescue Bots are Transformers that work with a family of heroes to rescue humans from disasters. These non-violent Transformer stories are aimed at preschool viewers.
魔法仙子现在回到了地球，并受到了人们的热烈欢迎与爱戴。在安卓斯海洋世界，那普顿王正要册封他的孩子泥利斯成为下一个掌管海洋皇帝，但仪式进行到一半的时候，被一直想要争夺王位的天那斯——泥利斯的哥哥搞砸了。天那斯企图阻止这场登基大典发生，利用三叉戟将泥利斯弄伤，但最后被击败，并没收了他的魔法，送进了牢狱。在牢狱里，天那斯遇上了三妖后。一座石油钻机，于海中央发生了爆炸事故，导致石油泄漏，魔法仙子被要求协助停止这场可怕的环境污染。蓝天想要将一条象征幸福未来的项链送给蕾儿，寓意未来在一起的日子会幸福快乐，但是他在拯救石……
当玛雅，一只任性的小蜜蜂，和她最好的朋友威利，拯救了一个蚂蚁公主，他们发现自己在一个史诗般的虫子战斗，将带他们到陌生的新世界，并测试他们的友谊的极限。
1940年，迪士尼公司制作了第三部长片动画《幻想曲》，为动画史贡献了一部迄今仍难以企及的经典名作。本片由8部音乐短片组成，最早诞生的《魔法师的学徒》讲述了在魔法师严西（Yensid，迪士尼Disney倒写）手下学徒的米老鼠偷戴师傅的帽子，利用魔法指挥扫帚挑水并惹下大祸的 有趣故事。该片原打算收入“糊涂交响曲（Silly Symphonies）”系列，但因严重超支，入不敷出，故迪士尼决定另外结合几支经典名曲拍成一部音乐短片合集，一并发行。只是因过于艺术化以及二战等方面的原因，《幻想曲》并未取得预期的收益。除杜卡的《魔法师的学徒》外，本片收录曲目还有巴赫《D小调托卡塔与赋格》、柴科夫斯基《胡桃夹子》、斯特拉文斯基《春之祭》、贝多芬《田园交响曲》、蓬基耶利《时间舞曲》、穆索尔斯基《荒山之夜》和舒伯特的《万福玛丽亚》。 本片获第14届奥斯卡特别成就（音 乐和录音技术）2项金像奖。
讲述16岁女孩乔治亚·诺兰梦想成为一名消防员，而当时女性还不被允许做这行。当一个神秘的纵火犯开始烧毁百老汇大街时，这个城市所有的消防员一个接一个消失了，乔治亚已经退休的父亲肖恩被纽约市长召回，领导消防局调查此事。为了帮助父亲和拯救她的城市，乔治亚把自己伪装成一个名叫乔的年轻男人，加入了由一群格格不入的消防员组成的小组，不惜一切代价试图阻止纵火犯。
As the team checks on possible alien activity, they're stopped by a Plumber Magister who accuses them of impersonating Plumbers and orders them not to fight any more aliens until the situation can be sorted out... in a few months. Meanwhile, Darkstar emerges, a new villain who allies himself with the DNAliens to go after Ben and the others.
Rainer Kohlberger is prepared to go far when it comes to the physical experiences he evokes with his work. Answering the Sun demands the utmost from its audience. The invitation is to squint our eyes and allow the most amazing trips to unfold – just like when we were children letting the sun come in. However, the work is simultaneously a 60-minute bombardment of coloured fields and a wall of sound, followed by a hallucinatory, silent inky-black sequence. In the darkened cinema with its immense screen, the strong lights create afterimages on our retina, while the acoustic stimuli cause the ears to generate their own sounds. The human body seems to be taken over when the senses are overstimulated and tricked. If you are prepared to surrender this creates a unique trip, leaving us guessing as to what the person in the next seat experienced. WARNING NOT SUITABLE FOR PEOPLE WITH EPILEPSY
